Visual Arts & Design

London John Murray. 1948.First edition. Signed by the author. 263x185mm. pp (iibl) xii, 132, (iiibl). Publisher's red cloth with white and black lettering to spine and front cover, printing to front cover. Original dust jacket. Slight bumping to head and foot of spine; slight chipping to head of dust jacket. Internally very good; overall in very good condition. Inscription reads "Kay Francis from John Betjeman 1957", surrounded with decorative flourishes.The last of Betjeman and Piper's British travel guides to be published by Betjeman's own publisher, John Murray.

London: Richard Hodgkinsonne. 1655.First edition. Volume one (first part). Folio in 4s. 332x210mm. [ff.23], pp.1- 608. Ends on 4G4 after the survey of the Benedictine foundations and before the Cluniac. Engraved title page and fifty-one engraved full page (and some folding) plates, many by Wenceslaus Hollar, and with engraved illustrations in the text. The folding map of Thanet is present. In an extraordinary binding of eighteenth century red morocco with triple fillet borders.

London: Batsford. 1906.First edition. 4to. xii, 281pp, frontispiece and illustrations and plans throughout text with an old label to the front pastedown. Original red cloth with blind-stamped bands and gilt titles to upper board. gilt bands and titles to spine (An old water stain to the top of the upper board and some light shelfwear). Original dust-jacket (wear to edges with some small closed tears to bottom edge and a shallow missing section to the very top quarter-inch of the rear). In very good condition.

London: Harrison & Co.. [1786].First edition. 205x260mm. One hundred engravings of country houses in England and Wales with, on the opposite page a brief description of the house. Bleinheim Palace gets four engravings and four pages of description. Tissue guards. Copper engravings by Birrell, Walker, Ellis, Fittler and others after Burney, Courbould, Dayes, Robert Nixon, Malton and others. Handsomely bound in red morocco. Upper and lower covers with a green morocco border on which is tooled, in gilt, a greek key design. Inside this is a further border of acanthus leaves.

London and Cambridge Richard Harraden. 1798-1800.First edition. 277x385mm. Frontispiece and eighteen engravings showing scenes of Cambridge Colleges. Platemarks measure approximately 170x250mm. The Small Views are bound with the frontispiece to "Views of Cambridge Drawn by Rd. Harraden" which has been trimmed resulting in the loss of the first three words. Also bound in are six engravings of country house views by William Poole, published by R&J Snare, Reading in 1798. The leaf following each country house view is a handsome descriptive letterpress with a brief history of the house.

n.p. n.p.. 1880-1934.An archive collection of seven sketchbooks extensively illustrated with, in total, over 500 drawings, sketches and studies by the Arts and Craft architect William Bidlake (1861-1938). The drawings are in pen and ink or pencil. Most are highly worked, detailed drawings of buildings (particularly churches) either standing alone or in the context of more developed street scenes but there are numerous studies of architectural details such as gothic window tracery and column capitals. Landscape scenes also feature and there is a small number of sketches of the human form.

n.d. [pre-1775].Original drawing of classical capitals and urns with lines of perspective. Pen and brown and black ink, pencil and grey wash on laid paper without visible watermark, ruled border in brown ink. Sheet 302x218mm, window mount 350x275mm. Very slight soiling and foxing but overall in excellent condition. A very good, and rare, example of a study for an important book on perspective. In 1775 Thomas Malton the Elder (1726-1801) published A Compleat Treatise On Perspective, In Theory and Practice; on the True Principles Of Dr. Brook Taylor.

n.d.Original architectural drawing by Thomas Sandby showing a neo-classical domed octagonal temple with baroque details. Pen and grey and black and pale blue and grey watercolour on laid paper with watermark "C&Honig". Sheet 497x258mm, window mount support (with ruled brown ink border) 478x333mm, taped at left edge onto heavy cream card 558x404mm. Slight spotting, otherwise in excellent condition. Although there are important institutional holdings of Sandby's architectural drawings, they are rare in commerce and this is a particularly fine example.

[Winterton, Lincolnshire] n.p.. undated [pre 1804].Original pen and coloured ink drawing (146x108mm) of a mosaic floor on thick paper, mounted on card (198x140mm) and framed. Beneath the drawing is inscribed "William Fowler Fecitt (sic)" and the description "A Tessellated Floor of an Ancient Bath in Nants (sic) in the South of France supposed to be Built by Antonious (sic) Pius". The hand-coloured engraving of this mosaic appears in volume one of Fowler's Engravings of the Mosaic Pavements &c published in 1804. This beautiful drawing is in excellent condition with the colours particularly fresh.

[Vienna]: [widow of Alberti for T.Mollo]. [1799].Broadsheet (65 x 48 cm). Contemporary, probably original, pink cloth backing marbled boards. With fifty numbered woodcuts on forty three sheets, the first five sheets comprising the legend by Stabius, the last sheet also containing three woodcut inscriptions numbered fifty one to fifty three, the entire design made up from 174 original blocks and eighteen etchings by Bartsch on three sheets.

London: The Studio. 1893.A set of The Studio from the Volume 1, Number 1 issued in April 1893 to Volume 100 (ending in December 1930). All 1st eds, all 4to. Almost all, including the first six issues making up Volume One, are in the rare original paper wrappers. Seventeen volumes are in the green cloth.

Ornee de Fleures, et Gravée en maniere de deux Crayons, par                    Inventée, et Dessinée par Jean Pillement. Premiere Peintre du Roy de Pologne Paris: Chez Leviez. 1770.Complete set of six crayon manner engravings made from designs from Jean Pillement and engraved by Louis Gautier-Dagoty (two signed plates) and Arnaud-Eloi Gautier-Dagoty (four unsigned plates). Printed in black and red with an additional suite in the variant state printed in black, the set comprises a total of twelve plates including the two title pages (250x180mm).

Paris: Librairie Archeologique de Victor Didron.. 1857.First edition. 4to. 272x225mm. pp. 58 [2, advertisements]. Three leaves of engraved plates and a plan of the layout of the capitals of the Doge's Palace. Original brown paper wrappers, worn and chipped at extremities, tears to spine with some loss, staining to covers. Internally, there is foxing and spotting but overall it is in very good condition. Some pages unopened. This is the first published book by William Burges, one of the most inventive architects and designers of the nineteenth century.

Paris: Ch. Massin et Cie.. n.d. [c. 1930].First edition. 295x230mm. pp. xxii, 80 colour plates on recto only. Introductory essay in French by A. Feulner. Dark green cloth, black labels with gilt lines and titling to upper cover and spine. Illustrated dust-jacket, with some very minor marking but overall in very good condition. Slipcase, cream label with black lettering, some slight marking and scuffing on the back but otherwise very good. Internally near fine with the colour plates in particularly fresh and good condition.

Transformations progressives du 1er au XIXe Siecle sept cents reproductions documentaires Appliques, Bougeoirs, Candélabres, Chandeliers, Couronnes de Lumière, Lampadaires, Lampes, Lanternes, Lustres, Torchères, Trépieds, etc. Les Publications concernant les Styles ont été honorées par les Souscriptions du Ministère de l’Instruction Publique et des Beaux-Art. Paris: Librairie G. Baranger Fils. n.d. [c.1910].First edition. Folio. 323x250mm. pp. 83 leaves of thick cream paper.

Leigh-on-Sea, Essex: F.Lewis (Publishers) Limited. 1937.First edition. 325x265mm. pp. viii, 102 pages of text interspersed with 139 plates, some photographs on glossy papers, others drawings. Each plate has several examples of metalwork so this book is profusely illustrated and is a valuable reference tool. Original cream cloth letter in gilt with publisher's device stamped in gilt to upper cover. Original dust jacket with staining to spine and small chipping to head and foot of spine. Rare in the dustjacket particularly in this very good condition. Internally in excellent condition.

London: Crosby Lockwood & Son. 1924.First edition, 4to. xi, 32pp text, 140 plates & plans, 6 fold-out plans, with a 52pp appendix. Chocolate brown and cafe-au-lait cloth in the original near fine dust-wrapper. Some light creasing to rear. In mylar wraps. Cracking to joints just before the appendix. A crucial work for anyone interested in the development of suburbia or metro-land. The book gives full details of the types of houses then springing up around all of England's major cites in the post-WWI effort to create 'homes fit for heroes'.

Paris: Charles Moreau. [1925].First edition. [4], 48 black and white photographic plates of shop fronts and interiors. 323x250mm. The plates are loose and housed in a portfolio (337x255mm), backed with brown linen, boards covered with dark brown paper lettered and illustrated with a minimalist, modernist design. Ribbon ties. Lacks plate one but otherwise complete. The contents are in excellent condition, near fine. The front board has some wear and there is a tear to the linen spine. A superb collection of modernist shop designs some of which are by Herbst himself. Introductory essay by Herbst.

Paris: n.p.. From 1897/1898.First edition of Storck's dictionary of carpentry, woodworking and cabinet-making. Issued in nineteen instalments (fascicules). 310x230mm. pp. 972. The pages are unopened and are loose in fifteen green paper wrappers on the front of which is the title page information and on the back, advertisements for other work by J. Justin Storck. Housed in the original folder of green quarter linen and green paper-covered boards. The front board has the title page information printed in black on pale green paper and pasted on.

Part one. L’AntiquitéPart two. Le Moyen-ÂgePart three. Temps Moderne Leipzig: K.F.Koehlers Antiquarium. n.d. [1915].First edition. Three volumes each consisting of a suite of sixty coloured plates, showing examples of polychrome decoration, design and ornament from three broad historical periods, tipped-in on grey card with descriptive captions. These are housed, loose, in their original portfolio folders of grey paper covered boards with beige cloth hinges. The title is printed in grey and yellow on the upper covers with a Greek helmet device in the centre. Title printed in black on the spine.

Oxford: Oxford University Press. 1960.Portfolio case in navy blue cloth over stiff boards (530x800mm) containing 6 plates (505x755mm) being prints of Hawksmoor's designs for All Soul's College, Oxford. Title printed on grey card with navy blue lettering and decorative border and pasted onto the upper cover of the portfolio. A blue ribbon ties the upper and lower boards together. The prints, which are in excellent condition show: 1. General Plan (undated, engraved by M. Van der Gucht); 2. Elevation of the East Range (1717, engraved by C. DuBosc); 3. Chapel and Refectory, plan and elevation (1717, engraved by H.