Products

Remarks on some evidence recently communicated to the Photographic Society (1863)Remarks concerning certain photographs supposed to be of early date. (1864) Remarks concerning certain pictures supposed to be photographs of early date. (1865) London: Bradbury & Evans. 1863-65.Eight pamphlets under three titles. Privately printed by M.P.W. Boulton between 1863 and 1865, the three titles concern a dispute about the origins and invention of photography and are a refutation by Boulton of claims made in 1863 by F.P. Smith. Further details of this are given below. Each title has more than one version.

shewing The Danger to those who carry them: together with an explanation of a newly invented Patent Gun-Lock, of which All the present Disadvantages are removed, and Simplicity, Security, and Durability substituted. London: Printed for the author by T. Egerton. 1795.First edition. 8vo in 4s. (208x130mm). pp. [2], xxv, 3-88. K4 blank. Loosely inserted is a letter of 1993 from the Bodleian Library confirming that K4 in their copy is blank and setting out the full collation, this copy conforming to that. Contemporary red full grain morocco in fine condition. Decorative gilt borders to the upper and lower covers.

London: Elkin Mathews at the sign of the Bodley Head. 1891.Limited edition, number six of twenty-five copies printed for sale in England on Japanese Vellum. Signed by Walter Crane. 8vo. 240x180mm. pp. xiii, 162, [5]. Loose gatherings, unbound in a slipcase of blue card with parchment spine gilt stamped with title, author and date. Thirty-nine illustrations by Crane engraved by Arthur Leverett, Emery Walker and W. Boutall. The gatherings are in fine condition. The slip case shows some markings and tears and has been repaired in places. Overall, this is a very good example of a scarce edition.

London: The Studio. 1903.Complete in Eight Volumes. This excellent set is in its original grey paper wrappers. The whole is of a very high quality. Each Part contains an introductory essay on a particular artistic medium. These are paginated consecutively through the series running to 64 (unopened)pages. The subjects covered are: 1. Wood Engraving; 2. Lithography; 3. Oil Painting; 4. Water Colour; 5. Etching and Dry Point; 6. Pastel; 7. Monotyping in Colour; 8. Pencil and Pen. A French translation is loosely inserted in each part. Every issue has six tipped-in plates. These include original etchings and lithographs.

London News Ltd. July 6 1969.The News of the World report of the 5th July 1969 "Stones in the Park" free festival in Hyde Park, headlined by The Rolling Stones. Intended as a return to the stage for the Stones after an absence of two years, and as an introduction of their new guitarist Mick Taylor, the festival was overshadowed by the death, on 3rd July, of Brian Jones. As a result, it became a "Requiem for a Stone".

Rodez: n.p. 1943.First edition predating the trade edition by a year. 165x105mm. pp. 12. Typed and copied on a roneotype. Beige wrappers, stapled. Water-stained and some marking to the wrappers. This "hors commerce" edition was made privately by Artaud when he was a patient at the psychiatric hospital in Rodez, hence its home-made quality. It was followed in 1944 by a trade edition limited to fifty copies.

Marburg: Marburger Tapetenfabrik J.B. Schaefer & Co, 1972. 1972.Roll of wallpaper comprising 14½ identical, repeated coloured screenprint on silver metallic paper, with full margins. Approx. 8220 x 535 mm (323 ½ x 21 in). This image (also known as Right Hand Woman) was designed by Jones in 1970. It was made as a roll of wallpaper in 1972 by one of the oldest wallpaper factories in Germany in the series X Art Wall Collection. Other artists participating in this extraordinary project included Jean Tinguely, Otmar Alt and Eric Stanton.

Keswick, Cumberland G.P.Abraham. 1906. Aleister Crowley's copy with his annotations. First edition. 8vo. 228x150mm. pp. xxi [i], 394, [4pp adverts]. Twenty nine black and white photographs. Nine full page line maps and diagrams and ten drawings in the text. Original black cloth, spine lettered in gilt. Top edges gilt. Rubbing to edges, head and foot of spine bumped and rubbed. Some marking to boards. Internally very good with only some very slight foxing to the edges. One of the blank preliminaries has the pencil inscription "Aleister Crowley 1906. Bought at the request of Oscar Eckenstein".

19th Century. Painted with prayer 19th Century Russian icon. 320x268mm. Tempera on wood with silver overlaid riza (cover), backed with velvet. Richly detailed Russian Christian icon, finely painted with glowing pigments on a gold ground. The central painting depicts Christ's resurrection and his appearance to the apostles. Flanking this are representations of the Twelve Feasts - significant events in Christ's life, from The Birth Of The Virgin to The Presentation in The Temple. Antique icons are said to have been "painted with prayer"; the painter asking God to direct their work, or praying while they paint.

London: Bantam Press. 1999. Inscribed by Jilly Cooper Inscribed copy. First edition. 234x150mm. pp. 593 [1bl]. Original red cloth, spine lettered in gilt. Original illustrated dustjacket. Inscribed "To Maurice mon ami Lots of love Jilly (Cooper). P.S. Lovely to see you again". Near mint, this is a superb copy of the first edition of the sixth of Jilly Cooper's Rutshire Chronicles, set against the backdrop of the making of a film of Verdi's Don Carlos. [ref.

Edinburgh: Printed by Mundell and Son. 1795.Subscriber's copy. 8vo. (223x140mm). Unpaginated, [pp62]. Engraved frontispiece and two further engraved plates and tailpiece. Two title pages. Contemporary half calf, marbled paper covered boards, green label to spine, lettered in gilt. Corners bumped and rubbed. Slight foxing and browning and staining to first page of "Subscribers Names". Overall a nice copy of a book which went through numerous editions (under different imprints) in its first year (1795), ESTC recording this as the second edition with two copies in the UK (BL and NLS) and eight in the US.

London: Thames and Hudson. 1981.Presentation copy to Stephen and Natasha Spender with an original drawing by Penrose on the title page. First edition. 265x185mm. pp. 299, [1]. White cloth, lettered in black to spine, illustrated dustjacket. Slight scuffing to dust jacket at head and foot of spine and at corners. Illustrated endpapers. Internally fine. Illustrated throughout with colour and black and white photographs. The drawing by Penrose on the title page is an abstract design in green, black and red pastel and the inscription reads "for Stephen and Natasha with my love Roland".

London: Austin/Desmond Contemporary Books. October 1989.Printer's proof, limitation page marked "pp" and signed in pencil by Terry Frost. Eleven poems printed in Spanish and English on Velin Arches Blanc 270gsm paper folders (575x385mm). The title page is designed by Frost and printed by lithography. The colour etchings which are loosely inserted into the folders are printed on Somerset Satin 300gsm paper, some hand-coloured by Frost. All are signed in pencil by Frost and marked "pp". Housed in a black cloth covered Solander box designed by the artist. Issued in an edition of seventy-five.

New York: New Directions. 1946.Presentation copy from Dylan Thomas to David Markson. Second edition. 8vo. 212x135mm. xxiii [ibl], 184. Original red cloth, slightly faded in places in original dustjacket, chipped along the top edge with a piece (25x10mm) missing from top corner. Internally very good with extensive underlinings and a marginal annotation in blue ink, all by Markson. Inscribed on the front free endpaper: "From Dylan in the West End Tavern to Dave under the volcano. 1952". Beneath this Thomas has also written: "In London, 54 Delancey St. Camden Town, N.W.1. In Wales, Boat House, Laugharne, Carmarthenshire, Wales".

Tokyo: Hakua Kan. 1977. First edition. 210 by 235mm. Unpaginated. 64 black and white plates. Black cloth with title and author stamped in white on the spine. White dust jacket with black and white photograph on the front. Title and author printed in black on front and spine. Protected by plastic covers. Dust jacket has some modest sunning and a small repaired tear to the head of its spine. Contents fine, dust jacket very good but it is extraordinarily rare to find this highly sought-after and important collection in its original jacket. ffep has a non-authorial gift inscription.

New York: Harry N. Abrams. 1969.First Edition. Cloth with gilt decorated elephant and donkey emblems of the Republican and Democratic Parties. Dust jacket with some wear and small tears on spine and upper edges. Contents near fine, jacket very good. Inscribed by Duncan to his friend the photo-editor John G Morris. "November 1969. For John - Happy Thanksgiving and Super Saludos - Dave". This is a superb photographic record of the 1968 Conventions. From the Library of John G Morris. John G. Morris (1916-2017) was probably the most celebrated photo-editor of the 20th century.

1972.Photo silkscreen on graph paper (900x735mm). Inscribed in pencil in the bottom margin “For Francesco - [Signed] Robert Mapplethorpe ‘73”. An early work from an important stage in the development of Mapplethorpe’s career. When he graduated from the Pratt Institute, Brooklyn in 1969, Mapplethorpe was making mixed-media collages using images torn from magazines. In 1971, he befriended John McKendry, curator of photographs at the Metropolitan Museum of Art, New York. McKendry allowed Mapplethorpe access to the Museum’s photography archives and later that year gave him his first Polaroid camera.

London: Printed for G. & W.B.Whittaker. 1823.12mo. 180x105mm. pp. xv, [3], 144, [121]-142. This eccentric pagination is noted in the errata. Original grey paper covered boards, original label to spine. Tear to head of spine, rubbing to joints and corners of boards. Internally very good, a few pencil underlinings and marginal annotations and some pages unopened and overall a nice copy of a rare work located by Worldcat in seven UK libraries and none in the US.

London: George Routledge and Sons. 1873.First edition. 8vo. 160x100mm. pp. [2 adverts], viii, 184, [2, adverts]. Pastedowns are publisher's adverts. Original illustrated paper covered board with an image of the Union Flag and the Stars and Stripes. Edges and corners worn, paper on spine is torn with loss. Hinges cracked but holding and would benefit from a little repair. Rare, JISC Library Hub locating four copies in UK institutions (BL, NLS, Oxford and Cambridge) with Worldcat adding two more (NYPL and Australian National University) and no copies in the auction records.

n.p. n.p.. 1880-1934.An archive collection of seven sketchbooks extensively illustrated with, in total, over 500 drawings, sketches and studies by the Arts and Craft architect William Bidlake (1861-1938). The drawings are in pen and ink or pencil. Most are highly worked, detailed drawings of buildings (particularly churches) either standing alone or in the context of more developed street scenes but there are numerous studies of architectural details such as gothic window tracery and column capitals. Landscape scenes also feature and there is a small number of sketches of the human form.

New Hampshire: Addison House. 1977.First edition. 275x188mm. Unpaginated, illustrated throughout. Photographic card wrappers, protected by a transparent plastic cover. In excellent condition with only a little light shelfwear to the extremities Internally very good. Signed by Kroll on the frontispiece. A nice copy of an important sociological study. Offered with an original vintage print signed by Eric Kroll on the back and from his own collection. Part of the mount is cut out to show the signature. In very good condition.

shewing the sign, and signification of the severall forms and shapes in the creation: and what the beginning, ruin, and cure of every thing is; it proceeds out of eternity into time, and again out of time into eternity, and comprizeth all mysteries. Written in High Dutch, MDCXXII. by Jacob Behmen, alias Teutonicus Phylosophus.London: Printed by John Macock for Giles Calvert.. 1651. "the first German philosopher" First edition. Small 4to. 178x130mm. pp. [8], 224. Collates A4-Ff4. Contemporary calf, double fillet borders in blind. Rebacked to style with red morocco label lettered in gilt.

1970Photograph (187x254mm) of the cast of the 1970 film MASH signed by Robert Altman, Donald Sutherland, Elliot Gould, Sally Kellerman, Ring Lardner Jr, Michael Murphy, Tom Skerritt, Rene Auberjunois, John Schuck. On the verso is the label of Jerry Ohlinger's Movie Material Store. In very good condition.

[London] n.p.. 1957 and 1954-56.Black and white bromide print (212x163mm), mounted on cream card (296x210mm). Signed in pencil by Angus McBean and inscribed by Eliot "for Charles Reilly with affection from Tom and Valerie". Valerie has signed in her hand. A small mark to the lower right corner of the mount and a crease to the top right corner but otherwise in very good condition. On the verso is McBean's copyright stamp. Tom and Valerie are gazing at each other with complete affection.