Products

Oxford: H.Hall. 1655.First edition. Small quarto. 180x138mm. pp. [24], 288, 281-288, 281-296, 313-355, [5], 104, 109-436, [28]. Despite the erratic pagination, it collates complete. Title page of appendix dated 1654. Contemporary reverse calf with dog-tooth and dotted line border to both covers. Spine with four raised bands. Boards and spine heavily worn and spine has loss to first compartment and to head and foot. Cracking to joints. Internally very good. A nice copy of Pococke's important collection of extracts from Maimonides's Arabic commentary on the Mishnah.

London: Privately published. 1959.One of five copies privately published "for the pleasure of Felix, Jean, Michael, Felicia, Stéphane". 187x125mm. pp. 71 [1bl] with five blank leaves at the beginning and end. Bound by Henri Mercher in 1960, signed to foot of front pastedown. Boards are made of gold inlaid Plexiglas, the gold spelling out "Jean". Black morocco spine lettered in gilt. With the original slipcase. A striking binding in immaculate condition and an excellent example of Mercher's innovative design and technique in which he used unorthodox materials. Henri Mercher (1912-1976) trained with Robert Bonfils at the École Estienne.

London: Printed for T.N.Longman and O.Rees. 1801.Only edition. Small 8vo. pp. [6], 201, [1bl]. Contemporary calf, double fillet borders to boards, rebacked to style with gilt decoration and black morocco label lettered in gilt. Edges and corners rubbed with a little wear to the latter. All edges speckled. Internally near fine. A very nice copy of the first book published by Ireland following his exposure as a forger. Rare in commerce, only two copies appearing at auction in the last fifty years.

London: John Murray. 1927. Edition de Luxe. Limited to 1000 copies of which this is number 359, signed by Wren. 223x155mm. pp. [12], 579 [1bl], [4]. Twenty illustrations (four in colour) by Helen McKie. Original blue cloth, backed with red cloth, paper label lettered in blue to spine. Lacking dustjacket. Some slight soiling to covers and foxing to fore-edge but otherwise a very good copy in excellent condition.

Paris: P.Rouquette. 1872.Second edition, revised and enlarged. 8vo. 225x140mm. pp. [6], XXXII, 264, [4], [263]-335 [1]. With an etching by Bracquemond. Red half morocco, marbled paper covered boards, spine lettered in gilt. Corners bumped and worn, edges rubbed and wear to head and foot of spine. Top edge gilt. Some foxing to the preliminary leaves but otherwise very good internally.

Paris: François-Ambroise Didot. 1785.Two volumes. Large 4to. 310x230mm. pp. ix, [1], 596; [4], 548. Handsomely bound in red morocco. Gilt borders, spine lettered in gilt, turn ins decorated in gilt. All edges gilt, marbled endpapers. Pale blue silk ribbon in each volume. Slight bumping to bottom edges and rubbing to corners and to head and foot of spines but otherwise a lovely set in very good condition and internally excellent save for a little foxing in places and some minor staining in volume two.

London: Martin Secker. 1923.First UK edition. 8vo, 220x140mm. pp. 207 [1bl]. Quarter black buckram with yellow paper covered boards with title label to spine. Original pistachio-green dust jacket lettered in black. Some slight soiling to the jacket and fading to spine and light chipping to head and foot of spine but overall very good. Internally, there is some foxing but otherwise a nice copy of the first UK edition of this popular collection of poems.

London: Chappell & Co.. n.d. [1929].Signed by Coward and bound for his lover and manager John Wilson. First edition of the complete vocal score. Quarto. 275x210. pp. [4], 163, [1 advert]. Bound by Bumpus in red morocco with double fillet border in gilt to upper and lower cover, lettered in gilt to upper cover and spine. Some rubbing and wear to the corners. Original wrappers bound in. The front pastedown has the bookplate of Herbert Schimmel who put together the greatest collection of books and material related to Noel Coward and Ivor Novello.

London: New Literature (Publishing) Ltd.. 1961.an inverted parable of the cruelty of colour prejudiceFirst edition. 209x135mm. pp. 196. Orange cloth, lettered in black. Original illustrated dustjacket. Slight bowing to the boards and some creases and closed tears to the edges of the jacket and chipping to head and foot of spine of jacket. Overall a very good copy an extraordinary novel set among the Jamaican Maroons - a community of indigenous Caribbean Arawakan people who mixed with enslaved Africans who had broken free.

New York: Harper & Brothers. 1954.First edition. 210x140mm. pp. xvi, 358. Purple cloth backed, maroon cloth covered boards, lettered in white to the spine. Original dust jacket in very good condition with only slight creasing to corners and to head and foot of spine. The front pastedown and two of the preliminary pages have the name and address of John Farquharson, 8 Halsey House, Red Lion Square stamped in purple ink. Farquharson was a well known literary agent and was Wright's agent in the negotiations for the first UK publication of Black Power.

[London] 4th Estate. n.d..Limited edition proof. 245 of 500. xviii, 411, [1bl]. Illustrated paper covers in excellent condition. Internally near fine. A superb proof copy of the second of Hilary Mantel's Thomas Cromwell trilogy. Like its predecessor Wolf Hall, this novel won the Booker Prize.

London: The Studio. 1921.Description:Special Winter Number of The Studio for 1921. pp. viii, followed by 24 mounted colour plates unpaginated. Black cloth with title on upper cover in gilt in a double border. Cream dust jacket with title printed in black to upper cover and on spine. Some tears to the extremities of the dust jacket. The contents are in superb condition.

London: The Mitre Press. n.d. [1957/8].First edition. 8vo 183x122mm. pp. 64. Original bright blue cloth lettered in gilt with original illustrated dust jacket. Some very minor marking and rubbing to the jacket and slight soiling to the spine. Internally there is some mild foxing in one or two places but overall a very good copy. Rare in commerce and with eight copies recorded institutionally. Frieda Harris was, in the words of her husband "an artist and a good one.

Ornee de Fleures, et Gravée en maniere de deux Crayons, par                    Inventée, et Dessinée par Jean Pillement. Premiere Peintre du Roy de Pologne Paris: Chez Leviez. 1770.Complete set of six crayon manner engravings made from designs from Jean Pillement and engraved by Louis Gautier-Dagoty (two signed plates) and Arnaud-Eloi Gautier-Dagoty (four unsigned plates). Printed in black and red with an additional suite in the variant state printed in black, the set comprises a total of twelve plates including the two title pages (250x180mm).

London: John Murray.. 1908.Inscribed by the author to her brother.First edition. 8vo. 185x120mm. [4], 295 [1bl, 4 publisher's adverts]. Blue cloth, lettered and decorated in white to upper cover and lettered in gilt on spine. Joints and edges of boards rubbed and head and foot of spine bumped. Some marking to boards. Quite heavily foxed. Front free endpaper is inscribed "Ernest Black from C.B. January 1908". Clementina Black is best known as an activist and propagandist in the socialist, trade union and women's suffrage movements, but she made her living as a writer of political tracts and novels.

Tokyo: Pacific Press Service. 1982.First edition. Exhibition catalogue. pp. 112. 280 by 210mm. Illustrated throughout with black and white photographs by W. Eugene Smith. Bound in card, upper and lower cover illustrated. Illustrated paper slipcase with some tears but rare in any condition. The book is in superb condition. It is a catalogue of an exhibition organised by the Pacific Press Service whose founder was Robert Kirschenbaum. Kirschenbaum organised this retrospective of Eugene Smith's work in 1982, four years after Smith's death.

New York: Alfred A Knopf. 1986.First Edition of Leithauser's second collection of poems. Red cloth with dustjacket (slight tear to spine panel) decorated with motifs of tigers.

[London] Privately published by Reza Aramesh and Tina Spear. [2003].The first issue of Centrefold Scrapbook. Limited edition, 37 of 60. 365x275mm. Unpaginated, [pp.32]. Centrefold is a limited edition publication in scrapbook format. This first issue is a standard child's scrapbook with bright yellow card wrappers and coloured pages stapled at the spine. The front cover has the title stencilled in black. Below it is a five pointed star cut out from a pizza takeaway leaflet.

Paris: Gabriel Aubert. 1830-1835.Lithograph with hand colouring (255x190mm) by Eugene Forest. The image, from the satirical journal "La Caricature" shows a a closed door the upper half of which is glazed and behind which sits a sleeping man. The sign above the door reads "Parle z'o consierje SVP". The window opens to reveal the said concierge as a rude and angry and ill-tempered individual meeting any request with "Qui demandez vous?" Good to see the French hotels have changed little over the years.

A pencil drawing of a circus horse with a rider and the ringmaster standing next to it holding the rein. The drawing measures 275x192mm, mounted on white card and framed in black wood (406x327mm). One of two small spots of foxing but otherwise in immaculate condition. Laura Knight was fascinated by the circus and produced many drawings on the subject.

Aberdeen: J&J.P.Edmond & Spark. 1884.Limited edition. 44 of 101 copies. 4to. 185x140mm. pp. xvi, 18, [2]. Red quarter morocco, marbled paper covered boards. Rubbing and wear to the extremities and to spine. Internally near fine. Overall a very good copy. The preface offers a helpful history and explanation of this curious work. Printed by Wynkyn de Worde in the early part of Henry VIII's reign, it is a satirical poem of 1414 lines "in which various classes of society, chiefly of the lower order, are passed under review in rapid succession".

Rome: Typis Hæredum Corbelletti. 1650.First edition. 4to. 237x180mm. ff. [40]. Engraved title page and nineteen engraved portraits. Contemporary limp vellum, small hole to bottom edge of upper cover and a very small hole to foot of spine and some slight soiling but otherwise in very good condition. Front pastedown has the bookplate of Sloley Hall in Norfolk. Internally, there is some staining, quite heavy in places but overall a very attractive copy of a rare book: a nice example of an attractively printed Italian seventeenth century book with particularly good and striking illustrations.

Transformations progressives du 1er au XIXe Siecle sept cents reproductions documentaires Appliques, Bougeoirs, Candélabres, Chandeliers, Couronnes de Lumière, Lampadaires, Lampes, Lanternes, Lustres, Torchères, Trépieds, etc. Les Publications concernant les Styles ont été honorées par les Souscriptions du Ministère de l’Instruction Publique et des Beaux-Art. Paris: Librairie G. Baranger Fils. n.d. [c.1910].First edition. Folio. 323x250mm. pp. 83 leaves of thick cream paper.

Napoli: Dalla Tipografia Trani. 1860.Volume II, part I. 8vo. 200x125mm. pp. [8], xxiv, 3-328, [6]. This volume contains the story and teachings of Jesus Christ set out in a collection of short readings. Beautifully bound in red full morocco with, on both covers, in gilt, the coat of arms of Francis I, King of the Two Sicilies. The arms are framed by a rococo gilt border. Spine decorated with an attractive rococo design and lettered in gilt. Some slight rubbing and a few marks to the spine but otherwise in very good condition. Internally excellent but with some foxing.