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Libri quinq; in varios tractatus distincti, ad diversorum et vetustissimorum codicum collationem, ingenti cura, nunc primu typis vulgati: quorum quid cuiq; infit, proxima pagina demonstabit.  London: Richard Tottell. (apud Richardum Tottellum).. 1569.First edition. 4to. 290x195mm. [16], 172, 175-444 leaves. (leaf 439, misnumbered 437). Pagination is as called for by ESTC, collates complete. Imprimatur at foot of title page, "Cum privilegio". Early 17th century full legal calf, blind ruled to covers. Raised bands to spine, author's name in manuscript on second compartment. Foot of the spine has some worm holes and wear with loss. Some rubbing and scuffing to covers.

Coloniæ Agrippinæ [Cologne] Apud Ioducum Kalcovium [Jost Kalkhoven]. 1645.First edition. 8vo. 188x122mm. pp. [8], 239 [1bl]. Attractively bound in eighteenth century mottled calf, spine with five raised bands, compartments decorated with a floral motif, second compartment with red morocco label lettered in gilt. Edges of boards, tooled in gilt, all edges red. Internally there is some browning and foxing but otherwise in excellent condition throughout. Front pastedown has the bookplate of the Macclesfield Library. Allatius (1586-1669) was a Greek scientist, theologian and keeper of the Vatican Library.

Utica, N.Y. Published by M.J. Randolph. 1861-62. "It is of my death that first I wish to speak, and of what took place thereafter" First edition. 181x110mm. pp. [2], 268 [4pp adverts]. Brown cloth, blindstamped decoration to upper and lower covers and lettered in gilt to spine. Corners bumped and rubbed and some wear to edges and head and foot of spine. Joints a little tender but holding. Some soiling and marking to the edges but overall a very good copy of a book that is extremely rare in commerce, none appearing in the auction records.

Rochester, NY Aperture, inc. 1960.First and only edition. Special issue 8.3 of Aperture. 234x202mm. pp. 40 (numbered from 127-166). Illustrated wrappers, bound with two staples. Spine torn but holding, some markings and soiling but overall a nice copy of a rare photo essay recording the last days of Berryessa Valley before the construction of the Montecello Dam and the flooding of the valley to create a twenty mile long reservoir. A entire, pastoral way of living was destroyed to provide a much needed irrigation system for agricultural land in the Sacramento Valley.

London: Printed for C&J Rivington/ John Murray. 1826-1828.First edition. Volume I published by C&J Rivington, the other two volumes by John Murray. 8vo. 212x130mm. pp. Vol. I: xvii, [3], 498 (lacking half-title); Vol. II: [vi], 534, errata leaf; Vol. III: [x], [2], 541. Half calf, marbled paper covered boards. Maroon morocco label to spine, lettered in gilt. Some slight rubbing to edges and to small areas one the spines (particularly to the foot of volume II) but overall in very good condition. Internally fine. A very nice set.

London: H.M.Schneider, Deluxe Publications Ltd.. 1977-1978.The first two and, indeed, the only issues of this extraordinary fashion magazine that mixed ultra-glossy high fashion with punky street fashion, art and literature. The first issue featured a painting by Peter Blake and the second a painting by Allen Jones. There can be few magazines that put together Vivienne Westwood and John Betjeman.

oder getreuer und christlicher Unterricht für Jedermann, enthaltend, wunderbare und probmässige Mittel und Künste sowohl für die Menschen als das Vieh.Ephrata, PA. J[oseph] B[auman].. 1828. Pow-wow Second edition. 158x95mm. 8vo in 4s. pp. 94. Marbled paper covered boards, backed in brown morocco. Edges worn and rubbing to spine and head and foot of spine chipped. Foxed and browned with the occasional marking but overall a very good copy of the second edition (the first appearing in 1820).

Bourg: P-F. Bottier, Imprimeur du Roi. n.d. [1819].First and only edition. 8vo. 202x130mm. pp. [ii], 69, [1bl]. Errata pasted to blank verso of title page. Some light foxing. Remains of the original blue paper wrappers now perished. Rare, Worldcat locating three copies (BNF, Lyon and Berlin). An account of a carved medieval elephant, in the sense of "a horn or trumpet of ivory", discovered by villagers in Ain (in the Rhône-Alpes between Lyons and Geneva) in about 1400.

Paris: Charles Moreau. [1925].First edition. [4], 48 black and white photographic plates of shop fronts and interiors. 323x250mm. The plates are loose and housed in a portfolio (337x255mm), backed with brown linen, boards covered with dark brown paper lettered and illustrated with a minimalist, modernist design. Ribbon ties. Lacks plate one but otherwise complete. The contents are in excellent condition, near fine. The front board has some wear and there is a tear to the linen spine. A superb collection of modernist shop designs some of which are by Herbst himself. Introductory essay by Herbst.

London: Edm. Bollifant. 1598. First edition in English. 269x190mm. pp. [8], 496. Collates: a⁴A-2R⁶ 2S⁸. Full calf, double fillet borders to upper and lower covers. Spine with five raised bands, compartments decorated in blind and gilt and lettered in gilt. Tear to title page at gutter and there is some browning and foxing and two small holes in Cc6, Ee6, with loss of two letters in each case. But otherwise a very good copy of the first appearance in English of this influential work which combines the pastoral obsessions of the Renaissance with an early form of novelistic prose.

Augspurg: Johann Christian Leopold. [1732].Oblong folio. 208x330mm. ff. [9], 83 engraved plates each with three oblong rebus stories from the Bible. Part Two. ff. [11], 84 engraved plates. 83 have three oblong rebus stories from the Bible and the final leaf title "Hieroglyphisches Beschluß Gedichte", [1]. With two exuberantly engraved title pages. The engraver is Hans Georg Bodenehr. Front pastedown has an inscription by an Anton Pruska (c1900) who was a sculptor and teacher. The first two leaves of part one have been coloured by hand. Text printed in red and black.

von Dr Med. A. Freiherrn von Schrenck-Notzing aus dem Nachlaß herausgegeben von Gabriele Freifrau von Schrenck-Notzing mit einer Einleitung von Professor Dr Eugen Bleuler.Berlin und Leipzig: Verlag Walter de Gruyter & Co.. 1933. Rudi Schneider's own copy inscribed to him by the author's wife. First edition. Front free endpaper is inscribed, "Dem lieben Rudi, zu Weihnachten 1932. Gabriele Freifrau von Schrenck-Notzing". 8vo. 232x152mm. pp. viii, 170. With a frontispiece and five plates of black and white photographs, illustrations in the text. Black cloth, upper cover and spine lettered in gilt. Rubbing to extremities and some marking to boards.

Lutetiae [Paris] Ex officina Roberti Stephani [Robert Estienne]. 1551.First edition. 4to. 252x166mm. pp. 357, [3]. Red morocco, single fillet gilt border, spine lettered in gilt. Gauffered edges. Marbled endpapers. Verso of front free end paper has the book label of John Sparrow and a manuscript shelfmark and, in pencil (in Sparrow's hand) the inscription "The editio princeps from the Lamoignon Library". This was one of the great French libraries belonging to generations of the Lamoignon family of statesmen, lawyers and scholars with close connections to the French monarchy.

A set of four charming watercolours (each 113x195mm) taken from Rowlandson's Dr Syntax series. "Dr Syntax losing his way". "Dr Syntax copying the wit of the Window". "Rural Sports". "Dr Syntax disputing his bill with the landlady".

London: George Routledge & Sons, Ltd. 1914.the first appearance of a new Dracula storyFirst edition. 8vo. 182x120mm. pp. [8], 200. Red cloth, decorated and lettered in blind on upper cover. Spine lettered and decorated in gilt and blind. Illustrated dustjacket in a later state with the price of 1/3net replaced with 2/- but in all other regards the jacket is the same as that of the first impression with its chilling illustration by Handforth. There is a split to the cloth at the joint with the lower cover and some fading to spine.

with some illustrations of human error and impostureLondon: John Maxwell and Company. 1844. First edition. From the Library of the Theosophical Society in England. Two volumes. 8vo. 187x125mm. pp. xx, 315 [1bl]; xv, [ibl], 308. Publisher's green cloth, lettered in gilt to spine, with library shelfmark at foot of spine. Front pastedown has the bookplate of the Theosophical Library. Some rubbing and bumping to extremities. Internally very good. Davenport Adams is said to have been a voracious reader as a child and this book suggests wide and, it must be said, somewhat directionless reading.

Paris: Louis-Henry May. 1899.First trade edition. 8vo. 203x155mm. pp. [28], 78, [5, 1bl]. Cloth backed, paper-covered boards, lettered in gilt with a flower motif in gilt to upper cover and spine. Corners rubbed worn and frayed and some staining to the boards. Some foxing and browning but otherwise very good internally. This is Whistler's account of the legal dispute with Sir William Eden over his portrait of Lady Eden.

Paris: Hautecoeur Martinet. 1830-1835.Lithograph with hand colouring (255x190mm) by an unknown artist. Printed by Delaunois. The image, which might be from the satirical journal "La Caricature" although this is not clear, shows a young woman with two babies standing outside a priests' house. A priest has come to answer the door and she is asking him for charity. He is saying that since the revolution priest are like her (i.e. short of money). The doors open to reveal five priests drinking and cavorting.

Chicago: St Luke Society. 1902.First edition. 12mo (185x120mm). pp. 75. Two facsimile letters and five photographs. Original green boards, sympathetically rebacked, upper board printed in gold, lettering fading. Corners worn but overall a very good copy. The earliest known full length confession by a female addict. Annie Meyers, describes her descent from “well balanced Christian woman” to “a haggard and wretched physical and mental wreck”. Her problems began with Birney’s Catarrh Remedy and the book traces her numerous arrests, her progressive physical decline illustrated by photographs and her eventual recovery.

Accedunt I. Richteri Vita. II. Orationes Duae, De Arcanis aulae Iustinianeae: De Poetarum raritate, eiusq[ue] caussa. III. Mantissae Sex, Quarum prima Epistolas continet Casp. Hofmanni ad Varios; secunda Variorum ad Hofmannum; tertia Andr. Dinneri IC. ad Varios; quarta Variorum ad Dinnerum; quinta Variorum ad Varios; sexta deniq[ue] Iudicia septem. IV. Spicilegium Epistolarum Illustrium. Opus, quaesitis ac responsis Theologicis, Iuridicis, Politicis...Cum indicibys auctorum, rerum, verborum, copiosissimus. Norimbergae [Nuremberg]: Michaelis Endteri. 1662.Quarto, 190x152mm. pp. [26], 832, 68. Frontispiece portrait and engraved illustrated additional half title.

Croton-on-Hudson: Menses Inc. 1984.First limited ed of 100 copies thus. Square 4to concertina-folded leaves, pp 101, illustrated throughout. A Near-fine copy with some marks to the first leaf - else crisp and clean. Housed as issued in a red brocade sleeve with a laid-on paper title label. In a very good grey slipcase with some very light wear to the corners.

Leigh-on-Sea, Essex: F.Lewis (Publishers) Limited. 1937.First edition. 325x265mm. pp. viii, 102 pages of text interspersed with 139 plates, some photographs on glossy papers, others drawings. Each plate has several examples of metalwork so this book is profusely illustrated and is a valuable reference tool. Original cream cloth letter in gilt with publisher's device stamped in gilt to upper cover. Original dust jacket with staining to spine and small chipping to head and foot of spine. Rare in the dustjacket particularly in this very good condition. Internally in excellent condition.

London: Offices of "The Studio". 1902.Eight parts in original grey wrappers 430x308mm lettered in white. With introductory essay by Frederick Wedmore, a commentary on the painters illustrated and a list of water-colour painters. Sixty six water-colour reproductions tipped in on large white heavy paper (measures 418x295 and the prints vary but are around 240x160mm) and each one protected by tissue paper on which is printed the details of the artist and the painting. All housed in a blue paper covered card folder with a label to upper cover.