Products

New York: Ballantine Books Inc.. 1953. No false prophet First trade edition. 197x126mm. Pp. [6], 199 [3]. Red cloth, lettered in yellow to upper cover and spine. Original illustrated dustjacket. Some chipping and creasing to the edges of the jacket but otherwise in very good condition and internally excellent. Jacket is Currey's state D (no priority). Front free endpaper has a gift inscription dated October 22, 1953 "To Don – With the hope that we can prove Ray Bradbury as false prophet! Polly".

Japan: Self Published. 1981.First edition, limited to 500 copies. 247 by 267mm. Unpaginated. 47 colour plates. Black cloth with title and author stamped in English in silver on upper board and in Japanese on the spine. White card slip-case with a photograph on its front and the title and author printed in black in English and Japanese. Slip-case is protected by a plastic wrapper. Both book and case are in fine condition. The photographs in this, the last of Gocho’s three published works were taken between April 1978 and October 1980.

New York: Ridge Press. 1965.First Edition. Presentation copy to John Morris, legendary photo-editor of Life Magazine and New York Times: "Nov. 1965. For John, with much love and admiration for what you are and who you are. The first person I knew in photography - to me you're still the greatest. Most sincerely, Ken." Small 4to. pp. 208. Numerous b/w illustrations. Slight discolouration at edges. Cream cloth boards, gilt lettering on upper cover, black lettering on spine. Dust-jacket almost complete but some tears, worn and discoloured at extremities.

London: John Murray. 1844.First edition. Small 8vo. 167x105mm. pp. [4], xviii, 511, [1 adverts]. With engraved frontispiece, engraved half-title, and engraved illustrations and plans in the text. Bound by Remnant and Edmonds (ticket on rear pastedown) in green cloth, borders and spine decorated in blind, centre of upper cover illustrated in gilt with a farmhouse and animals. Corners bumped and worn, spine faded and bumped to head and foot and a (30mm) surface tear to the cloth at joint with upper cover. Minor marks to baords in place. Front pastedown has armorial bookplate of James Hunter of Hafton.

New York:. 1935. Promotional prospectus for the Fashion Academy at 16 East 52nd Street, New York. 192x125mm. pp. 48. Illustrated throughout with art deco colour fashion plates and one pochoir pastedown image. Decorated art deco style cover and endpapers. Some rubbing and wear but overall a very nice copy and internally very good. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design. This fascinating little book was published as an annual prospectus and so is quite uncommon.

New York:. 1938. Promotional prospectus for the Fashion Academy at 16 East 52nd Street, New York. 198x130mm. pp. 44. Illustrated throughout with colour fashion plates and one pochoir pastedown image. Decorated covers with an embossed gilded label pasted on upper cover. Illustrated endpapers with gold fashion silhouettes. The fashion plates are mostly of historic designs. Some rubbing and wear and internally there is some marking and slight staining but overall a nice copy. The Fashion Academy was operated under the direction of Emil Avil Hartman and ran a series of courses on fashion and costume design.

A Radical Book for Radical Times Edinburgh and London: William Blackwood and Sons. 1866. First edition. Three volumes. 8vo (222x135mm). pp. 303; 290; 284 + 4pp. publisher's adverts. Original tan blind-stamped cloth with gilt lettering on spines. Vol. 1. Spine darkened and frayed at head. Vol. 2. rubbed on joints, biro mark on upper cover. Vol. 3. Rubbed on joints and nicks at head of spine, neatly repaired. Overall, a good clean copy. Vol. 1. 'Dadie' Rylands annotations on front pastedown endpaper. Book-plate of Justin McCarthy. Stamp on title-page. A very good copy.

Edinburgh and London: William Blackwood and Sons. 1866.First edition. Three volumes. 8vo (222x135mm). pp. [4], 303 [1bl]; [4], 290; [4], 283 [1bl], 4pp. publisher's adverts and 20pp. publisher's catalogue. Original brick red blind-stamped cloth with gilt lettering on spines, pale yellow endpapers. Binding is Carter variant A. Very slight bumping to corners and bottom edges. Internally very good. A nice set in excellent condition. The first volume has the ownership inscription of Mrs George Holgate Foster (repeated as Mrs G.H. Foster on the front pastedowns of the other two volumes).

Paris: Éditions arts et métiers graphiques. 1933.Twenty loose leaves (title page and nineteen black and white photographs) in a cream coloured board folder, spine in cream linen with a black and white photograph of a woman on the upper cover. Housed in a blue purpose made box lettered in gilt on the spine. There is some rubbing and wear to the folder itself and to the photograph on the cover.

Cambridge, Massachusetts: The MIT Press. 1973.First edition. 235x286mm. pp. [iv], 124. 110 black and white photographs by Richards with accompanying text for some of the images. Photographic illustrated paper boards. Some bumping to the corners and head and foot of spine but otherwise in very good condition and the contents are excellent. Lacking dustjacket. This is Eugene Richards's first book. It was born out of his work with VISTA, (Volunteers in Service to America) which he joined in 1968.

London: The Studio. 1923.Special Spring Number of The Studio for 1923. 4to. (285 by 200mm) pp.14 text + 24 tipped in colour illustrations, with captioned tissue- paper. Green cloth, blind design with gilt border and gilt lettering in panel on upper cover, gilt lettering on spine. Cream illustrated dust-jacket, tear on lower cover. A fine copy in a near fine dust-jacket. The front pastedown has the label for A Louis de Meuleneere, 21, Rue du Chene, Bruxelles.

London: The Studio. 1931.Description:Special Spring Number of The Studio for 1931. pp. v pages of advertisements, [vi], 136, v pages of advertisements. Red cloth with gilt double border and title and year in gilt on upper cover and spine. Illustrated dust jacket with title printed in green on upper cover and in black on spine. Top edge gilt. Binding and dust jacket in excellent condition. This is a general survey of the art world in 1930 with essays and images covering Persian painting, British Sporting Artists, The Van Gogh Exhibition at Amsterdam and The Modern French School.

London: Sidgwick & Jackson Ltd.. 1931.First edition. 8vo. pp.xx.243. Original blue cloth, spine and upper cover lettered in silver. Beige dustjacket lettered in turquoise. Illustrated with photographs, maps and reproductions of artworks. An account of the people, history, culture and customs of Finland.

New York: The Viking Press. 1980. What if Carrie had kids? First edition. Signed and dated by the author on the front free endpaper. 242x163mm. pp.[14], 428 [2bl]. Quarter red cloth, black paper covered boards. Red and gold lettering to spine and front cover. Slight rubbing to cloth spine. Original dust jacket, price clipped. Dust jacket has slight chipping to foot of spine and two tears to top edge of back cover and a repaired closed tear to bottom edge of back cover. Internally very good but with a small mark at foot of pp. 1-10.

Leipzig: Parthenon Verlag -31. 1929.4to, 12 issues bound in 2 volumes. 225, 256pp, illustrated throughout text and with separate colour plates. Fine in blue quarter morocco with 4 raised bands with gilt rules and gilt titles to spine, speckled boards and endpapers with only the lightest of shelfwear. 'Der Flagellantismus Als Literarisches Motiv' was published between 1929 and 1932 by pioneering German sexologist Ernst Schertel by his own Parthenon Verlag publishing company.

Oxford: Basil Blackwell. 1926.Third edition. 8vo. 217x175mm. pp.xvi, 102, [2bl]. Original wrappers, some slight wear to extremities but otherwise in very good condition throughout and internally excellent. Protected by a transparent plastic cover. The first two editions of Flatland appeared in quick succession in 1884 but the book then fell out of print. Blackwell issued this third edition forty two years later. Textually it is has a few revisions from the second edition but its appearance is almost exactly the same as the earlier ones.

London: Seeley & Co.. 1884.Second edition. 8vo. 217x185mm. pp.xvi, 102, [2bl]. With illustrations by the author. Original illustrated limp vellum covered card. Vellum worn, particularly at the spine where there is some loss, corners rubbed. Hinge with upper cover is cracked but holding. Otherwise a very good copy of a fragile book. Upper cover has an ownership inscription. This second edition, issued in the same year as the first, included a six page preface in which a fictional interlocutor addressed, on behalf of Abbott/A Square two of the criticisms aimed at this strange book.

With Illustrations by the Author, A SQUARE (EDWIN A. ABBOTT)Oxford: Basil Blackwell. 1926.Third edition. 8vo. 217x175mm. pp.xvi, 102, [2bl]. Original wrappers, some slight wear to extremities but otherwise in very good condition throughout and internally excellent. Protected by a transparent plastic cover. The first two editions of Flatland appeared in quick succession in 1884 but the book then fell out of print. Blackwell issued this third edition forty two years later. Textually it is has a few revisions from the second edition but its appearance is almost exactly the same as the earlier ones.

Bedford: Printed and Sold by W.Smith. 1798.First edition. 8vo in 4s. 223x130mm. pp. xii, 351, [9]. Six contemporary hand-coloured engravings. Green buckram, maroon morocco label, lettered in gilt. Some marking and rubbing and a split to the cloth (c45mm) at joint with lower board. Some slight foxing in places but otherwise very good internally with the charming plates in particularly good condition. It is rare to find these coloured. One of the front preliminary leaves has two pages of neat manuscript notes listing plants from Abbot's book that are found in the "best natural pastures".

Kjobenhav [Copenhagen]: J.Jorgensen & Co. . 1893.van Gogh, Gauguin and the Danish avant-gardeA catalogue of the first exhibition of paintings by Van Gogh in Denmark. 170x135mm. Text block 155x125mm. Unpaginated. 36pp. In original grey paper wrappers, with title, date and floral decoration on the front cover. Bound into blue half cloth and decorated paper covered boards. Some slight rubbing to the boards but the catalogue itself and its delicate wrappers are in excellent condition. Rare, Worldcat locating only two copies, one in Denmark and the other in the Metropolitan Museum in New York.

London: William Heinemann. 1935.Presentation copy: 'For Juliet Foyle with the compliments of Horace Brodzky London Nov 4/35'. First edition. 4to. pp. [iv], 17, 40, recto only. Portrait frontispiece and 40 illustrations, chiefly nudes. Horace Brodzky, 1885-1969, was a student at the School of the National Gallery of Victoria in Melbourne, but spent most of his creative life in London. He was one of the earliest Australian artists to embrace the modern style of the twentieth century. Original buff cloth with initials on upper cover and spine lettered in brown.

n.p. [Ireland] n.p. 19th century.Four cartoons showing the life of the poor in Ireland. The only real clue that they are Irish is that one of them shows two old women begging under a banner advertising a sermon from the Protestant Orphan Society. Two other cartoons comment on the divide between rich and poor while the fourth simply shows an old woman knitting outside what looks like a workhouse. The pictures are signed "JHL". Prints measure 180x115mm and are mounted on cream paper and framed in a wooden frame.

New York and London General Music Publishing Company Inc and Novello and Company Limited. n.d. [1964].First edition. 307x240mm. pp. 12. Illustrated paper covers. In fine condition. Inside rear cover has the label "From The Library of John K. Martin". The four Lawrence poems are Aware, Thomas Earp, December Night and Quite Forsaken. Vittorio Rieti (1898-1994) began his studies in his native Italy. He had links with Berg and Schoenberg and his early work was influenced by their atonal experimentation.

London and Roma: Anthony d'Offay and Gianenzo Sperone. 1981.Limited edition of 500. Inscribed by Clemente: "For Monty". 335x265mm. Illustrated paper over gatefold boards with 4 colour and 4 monochrome reproductions of Clemente's work. Red cloth spine. Printed in India on hand-made paper. Unpaginated, with 6 handpainted illustrations, and 8 tipped in colour plates. Includes loose typed insert at front from the publisher First Edition. A little rubbing to the edges and slight marking to the covers. The contents are in excellent condition.