All Books

Germany Scalo. 1996.8vo paperback. 76pp, illustrated throughout.

New York: Aperture. 1975. 4to, unpaginated, illustrated throughout. Near-fine in chocolate-brown cloth with both blind and silver stamping.

New York: Aperture. 1982.Landscape format small 4to. 63pp, illustrated throughout in colour. Near-fine in burgundy cloth boards with burgundy gloss stamped titles. In near-fine pictorial DJ with only very minimal bumping to the top front corner and top of spine.

London: George Routledge & Sons. 1940.1st ed, 4to. pp 8, 48 B&W plates. Very light toning to margins and occasional spotting to versos of plates and endpapers only. Text block is approx 1/8th" bowed - else a Very Good copy in oatmeal buckram with chocolate brown-stamped titles and authors signature to the upper board.

London: George Routledge & Sons. 1941.1st ed, 4to. (310 by 250mm)  pp. 8, 48 B&W plates on semi-glossy stock. Very good although with some spotting to endpapers. In oatmeal buckram with chocolate brown-stamped titles and artist's signature to the upper board and spine. In a very good original photographic dust jacket in plastic wraps with light chipping to extremeties and light overall toning.

Kempen: teNeues. 2004First edition. Folio. pp. 195. Loosely inserted limited signed print 2/200. Lavishly illustrated in colour and black and white. The text is in French, Spanish, German, Italian and English. Original black cloth, blind-stamped on spine and upper cover. Illustrated dust-jacket, lettered in white, repaired at head of spine. Black cloth slipcase.

London: The Studio. 1903.Complete in Eight Volumes. This excellent set is in its original grey paper wrappers. The whole is of a very high quality. Each Part contains an introductory essay on a particular artistic medium. These are paginated consecutively through the series running to 64 (unopened)pages. The subjects covered are: 1. Wood Engraving; 2. Lithography; 3. Oil Painting; 4. Water Colour; 5. Etching and Dry Point; 6. Pastel; 7. Monotyping in Colour; 8. Pencil and Pen. A French translation is loosely inserted in each part. Every issue has six tipped-in plates. These include original etchings and lithographs.

London: Jonathan Cape. 2010 Square 8vo, 688pp, illustrated throughout with colour & B&W photographs, bound in yellow silk bookmark. Near fine in grey cloth with black-stamped titles to top board and spine. In near-fine illustrated slipcase.

London: The Studio. 1923.Special Spring Number of The Studio for 1923. 4to. (285 by 200mm) pp.14 text + 24 tipped in colour illustrations, with captioned tissue- paper. Green cloth, blind design with gilt border and gilt lettering in panel on upper cover, gilt lettering on spine. Cream illustrated dust-jacket, tear on lower cover. A fine copy in a near fine dust-jacket. The front pastedown has the label for A Louis de Meuleneere, 21, Rue du Chene, Bruxelles.

London: The Studio. 1935.Studio Special Spring Number for 1935. 295x211mm. pp. 48 plus 16 colour plates each with a brief introductory explanation. Bound in beige cloth with title stamped in black on upper cover in modernist sans serif font. Beige dust jacket with the title printed in black in the same font and with a geometric modernist motif in the centre. A survey of modernist painting and design from Post-Impressionism to Futurism with good quality colour reproductions tipped in. Includes images by Van Gogh, Cezanne, Modigliani, Rouault and Chagall.

London: The Studio. 1935. Studio Special Winter number for 1935. (285 by 200mm)  pp. 120. 4 pages of advertisements for craft and children's art books. Bound in pale green cloth with title and author stamped in black on upper cover and spine. Blue dust jacket made from high quality thick grained paper. Decorated with heavy line drawing of a toy horse on front and the title and author printed in black on front and spine. A tear to the top of the jacket with some small loss. Protected by plastic cover.