Products

Lausanne & Geneva Marci-Michaelis Bousquet. 1742.Two volumes. First edition. 8vo. 167x100mm. pp. xxx, 466; [2], 1-432, 443-499, [2, 1bl]. Title page of volume one printed in black and red. Collates complete despite the pagination. 44 folding plates with an extensive array of diagrams. Eighteenth century calf with double fillet borders to the covers. Spine with five raised bands, compartments lavishly decorated in gilt, morocco labels lettered in gilt. All edges red. Some slight rubbing and fading to spines.

Paris: Gabriel Aubert. 1830-1835.Lithograph with hand colouring (255x190mm). Artist unknown. The image, from the satirical journal "La Caricature" shows a young woman and an old woman (possibly a nun) both kneeling outside a confession box. The door of the box opens to reveal a priest eagerly listening to the sins of the young woman which are, one presumes, somewhat juicier than those of the devout vieille dame at her prie dieu. These prints containing a door or window which opens to reveal a visual joke not anticipated by the principal image are a feature of "La Caricature".

Film poster for Albert Zugsmith's 1962 Confessions of an Opium Eater, starring Vincent Price. 340x280mm. Mounted on white card but unframed. Excellent condition. Shows Price with an opium pipe out of which Linda Ho appears screaming in a stream of smoke.

New York: Cosmopolitan Book Corporation. 1927.First edition. 8vo. 187x125mm. pp. [viii], 320. Original black cloth, lettered and decorated in silver. With the rare illustrated dustjacket. Some staining and marking to the cloth. The dustjacket is chipped at the top edge and to head and foot of spine and there are a small tears at the folds with the flaps which have been repaired. But this is an extremely uncommon (and very striking) dustjacket. Internally very good but with a split to the hinge with the lower cover and with some toning to the edges.

London: Haskins Press. 1975.Limited edition. 350x270mm. Unpaginated [pp156]. Illustrated throughout with black and white photographs. A seminal book in the history of photography, fashion, design, soft-focus erotica and social history.

London: The Studio. 1935. Studio Special Winter number for 1935. (285 by 200mm)  pp. 120. 4 pages of advertisements for craft and children's art books. Bound in pale green cloth with title and author stamped in black on upper cover and spine. Blue dust jacket made from high quality thick grained paper. Decorated with heavy line drawing of a toy horse on front and the title and author printed in black on front and spine. A tear to the top of the jacket with some small loss. Protected by plastic cover.

London: Rider & Co.. [1940]."one of the great novels of supernatural horror"First edition. 182x115mm. pp. 288. Blue cloth, lettered in gilt to spine. Original illustrated mauve dustjacket. Rubbing and slight chipping to edges of the jacket, marking and slight soiling to spine and lower cover of jacket. Internally very good but the text block is a little cocked and there is some spotting in places and slight soiling to the edges. Overall a very good copy of what is widely regarded as one of the great novels of supernatural horror and an important successor to the work of H.P.

Zürich: Fretz & Wasmuth. 1943.Inscribed by HesseInscribed by Hesse: "Ein Gruss für Reinhard Weiss von H. Hesse". Third edition (Drei Auflage), issued the same year as the first. Two volumes. 8vo. 182x108mm. pp. 451, [1]; 441, [1]. Original pale blue cloth with HH monogram in gilt to upper covers and spine decorated in gilt with black label lettered in gilt. Original dust jackets. Spines of dustjackets browned and a little soiled with slight chipping to the foot of the jacket of volume one. Housed in a cardboard slipcase. A very nice copy.

Leipzig and Berlin: Verlag und Druck von B.G. Teubner. 1922.Fourth trade edition. pp. [4], 159, [1 adverts]. Green paper covered boards with green cloth spine. Lettered in black to upper cover and spine. Protected with mylar wrapper. Corners a little bumped and worn, hinges slightly loose with the front free endpaper semi-detached but otherwise in very good condition throughout.

Libri quinq; in varios tractatus distincti, ad diversorum et vetustissimorum codicum collationem, ingenti cura, nunc primu typis vulgati: quorum quid cuiq; infit, proxima pagina demonstabit.  London: Richard Tottell. (apud Richardum Tottellum).. 1569.First edition. 4to. 290x195mm. [16], 172, 175-444 leaves. (leaf 439, misnumbered 437). Pagination is as called for by ESTC, collates complete. Imprimatur at foot of title page, "Cum privilegio". Early 17th century full legal calf, blind ruled to covers. Raised bands to spine, author's name in manuscript on second compartment. Foot of the spine has some worm holes and wear with loss. Some rubbing and scuffing to covers.

Coloniæ Agrippinæ [Cologne] Apud Ioducum Kalcovium [Jost Kalkhoven]. 1645.First edition. 8vo. 188x122mm. pp. [8], 239 [1bl]. Attractively bound in eighteenth century mottled calf, spine with five raised bands, compartments decorated with a floral motif, second compartment with red morocco label lettered in gilt. Edges of boards, tooled in gilt, all edges red. Internally there is some browning and foxing but otherwise in excellent condition throughout. Front pastedown has the bookplate of the Macclesfield Library. Allatius (1586-1669) was a Greek scientist, theologian and keeper of the Vatican Library.

Rochester, NY Aperture, inc. 1960.First and only edition. Special issue 8.3 of Aperture. 234x202mm. pp. 40 (numbered from 127-166). Illustrated wrappers, bound with two staples. Spine torn but holding, some markings and soiling but overall a nice copy of a rare photo essay recording the last days of Berryessa Valley before the construction of the Montecello Dam and the flooding of the valley to create a twenty mile long reservoir. A entire, pastoral way of living was destroyed to provide a much needed irrigation system for agricultural land in the Sacramento Valley.

London: Printed for C&J Rivington/ John Murray. 1826-1828.First edition. Volume I published by C&J Rivington, the other two volumes by John Murray. 8vo. 212x130mm. pp. Vol. I: xvii, [3], 498 (lacking half-title); Vol. II: [vi], 534, errata leaf; Vol. III: [x], [2], 541. Half calf, marbled paper covered boards. Maroon morocco label to spine, lettered in gilt. Some slight rubbing to edges and to small areas one the spines (particularly to the foot of volume II) but overall in very good condition. Internally fine. A very nice set.

London: H.M.Schneider, Deluxe Publications Ltd.. 1977-1978.The first two and, indeed, the only issues of this extraordinary fashion magazine that mixed ultra-glossy high fashion with punky street fashion, art and literature. The first issue featured a painting by Peter Blake and the second a painting by Allen Jones. There can be few magazines that put together Vivienne Westwood and John Betjeman.

Bourg: P-F. Bottier, Imprimeur du Roi. n.d. [1819].First and only edition. 8vo. 202x130mm. pp. [ii], 69, [1bl]. Errata pasted to blank verso of title page. Some light foxing. Remains of the original blue paper wrappers now perished. Rare, Worldcat locating three copies (BNF, Lyon and Berlin). An account of a carved medieval elephant, in the sense of "a horn or trumpet of ivory", discovered by villagers in Ain (in the Rhône-Alpes between Lyons and Geneva) in about 1400.

Paris: Charles Moreau. [1925].First edition. [4], 48 black and white photographic plates of shop fronts and interiors. 323x250mm. The plates are loose and housed in a portfolio (337x255mm), backed with brown linen, boards covered with dark brown paper lettered and illustrated with a minimalist, modernist design. Ribbon ties. Lacks plate one but otherwise complete. The contents are in excellent condition, near fine. The front board has some wear and there is a tear to the linen spine. A superb collection of modernist shop designs some of which are by Herbst himself. Introductory essay by Herbst.

London: Edm. Bollifant. 1598. First edition in English. 269x190mm. pp. [8], 496. Collates: a⁴A-2R⁶ 2S⁸. Full calf, double fillet borders to upper and lower covers. Spine with five raised bands, compartments decorated in blind and gilt and lettered in gilt. Tear to title page at gutter and there is some browning and foxing and two small holes in Cc6, Ee6, with loss of two letters in each case. But otherwise a very good copy of the first appearance in English of this influential work which combines the pastoral obsessions of the Renaissance with an early form of novelistic prose.

Augspurg: Johann Christian Leopold. [1732].Oblong folio. 208x330mm. ff. [9], 83 engraved plates each with three oblong rebus stories from the Bible. Part Two. ff. [11], 84 engraved plates. 83 have three oblong rebus stories from the Bible and the final leaf title "Hieroglyphisches Beschluß Gedichte", [1]. With two exuberantly engraved title pages. The engraver is Hans Georg Bodenehr. Front pastedown has an inscription by an Anton Pruska (c1900) who was a sculptor and teacher. The first two leaves of part one have been coloured by hand. Text printed in red and black.

Lutetiae [Paris] Ex officina Roberti Stephani [Robert Estienne]. 1551.First edition. 4to. 252x166mm. pp. 357, [3]. Red morocco, single fillet gilt border, spine lettered in gilt. Gauffered edges. Marbled endpapers. Verso of front free end paper has the book label of John Sparrow and a manuscript shelfmark and, in pencil (in Sparrow's hand) the inscription "The editio princeps from the Lamoignon Library". This was one of the great French libraries belonging to generations of the Lamoignon family of statesmen, lawyers and scholars with close connections to the French monarchy.

A set of four charming watercolours (each 113x195mm) taken from Rowlandson's Dr Syntax series. "Dr Syntax losing his way". "Dr Syntax copying the wit of the Window". "Rural Sports". "Dr Syntax disputing his bill with the landlady".

London: George Routledge & Sons, Ltd. 1914.the first appearance of a new Dracula storyFirst edition. 8vo. 182x120mm. pp. [8], 200. Red cloth, decorated and lettered in blind on upper cover. Spine lettered and decorated in gilt and blind. Illustrated dustjacket in a later state with the price of 1/3net replaced with 2/- but in all other regards the jacket is the same as that of the first impression with its chilling illustration by Handforth. There is a split to the cloth at the joint with the lower cover and some fading to spine.

London: John Maxwell and Company. 1844.First edition. From the Library of the Theosophical Society in England. Two volumes. 8vo. 187x125mm. pp. xx, 315 [1bl]; xv, [ibl], 308. Publisher's green cloth, lettered in gilt to spine, with library shelfmark at foot of spine. Front pastedown has the bookplate of the Theosophical Library. Some rubbing and bumping to extremities. Internally very good. Davenport Adams is said to have been a voracious reader as a child and this book suggests wide and, it must be said, somewhat directionless reading.

Paris: Louis-Henry May. 1899.First trade edition. 8vo. 203x155mm. pp. [28], 78, [5, 1bl]. Cloth backed, paper-covered boards, lettered in gilt with a flower motif in gilt to upper cover and spine. Corners rubbed worn and frayed and some staining to the boards. Some foxing and browning but otherwise very good internally. This is Whistler's account of the legal dispute with Sir William Eden over his portrait of Lady Eden.