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Cambridge (vol. 1) and London (vol.2): Printed by J. Bentham (vol. 1) and J.Bettenham (vol. 2). 1744.Two volumes. First Zachary Grey edition. 8vo. 220x135mm. pp. Vol. 1: [2], xiv, xxxvi, [42, list of subscribers], 424, [16, index]. Vol. 2: [2], 446, [24, index]. With frontispiece engraved portrait of Butler and sixteen plates engraved by Mynde after William Hogarth. Contemporary quarter calf, marbled paper covered boards. Pages uncut. Rubbing and wear to boards and slight scuffing to spine. Internally very good. A very nice copy of the edition regarded as the best and the most scholarly.

n.p. 1794.Unpublished manuscript translation into English of Huetiana ou Pensees Diverses de M. Huet, Evesque d'Avranches. 257x190mm. pp. [1], lxviii, 376, [8, Table of the Articles], [1, Approbation]. Contents: An Historical Eulogium on the Author by the Abbé Olivet; Life of Huet from Bayle; Huet's Life from the New and General Biographical Dictionary 1761; A Tour to Stockholm translated from the Latin of M. Huet by J. Duncombe; Anecdotes from the Latin of M. Huet. The Historical Eulogium and the Huetiana themselves are translations from the French published in 1722 as Huetiana ou Pensees Diverses de M.

New York Alfred A Knopf. 1982.Description:First Edition of Leithauser's first collection of poems, described by James Merrill as "something very like perfection. No one should overlook them". Dark blue cloth with dustjacket decorated with motifs of fireflies.

Preface de Camille Saint-Saens.Paris: Librairie C. Reinwald.. 1897. Arthur Waite's copy First edition. 8vo. 181x115mm. pp. [4], viii, [2], 317 [1bl]. With drawings by A Collombar. Bound with DAREL, Th. De la Spiritualisation De L'être, Aperçus Philosophiques. Paris: Chamuel. 1898. pp. 334 [2]. Inscribed on the half title "a Monsieur Dawson Rogers. Hommage respecteuse de l'auteur". Edmund Dawson Rogers was a journalist and spiritualist from Norfolk and one of the founders of the British National Association of Spiritualists and the Society for Psychical Research. Rare, Worldcat locating only six copies. Bound in red cloth, spine lettered in gilt.

London: William Heinemann Ltd.. 1949."sitting in the kitchen sink"First edition. 182x120mm. pp. [4], 338. Illustrated with engravings by Ruth Steed from drawings by Dodie Smith herself. Blue cloth decorated and lettered in gilt. Fading to spine and to edges of boards. Illustrated dustjacket (supplied from another copy) with some creasing, chipping and closed tears.

with an introduction by Boris Vian.Paris: The Vendôme Press. 1948.A fusion of prime US pulp and French sado-eroticism.First edition in English. 193x140mm. pp.201 [1]. Original wrappers. Slight creasing to upper cover and spine, a small tear and some marking and soiling to lower cover and a short tear at foot of spine at joint with lower cover. Some ink underlining in a few places. Internally very good. A nice copy of a rare and scandalous book. I shall spit on your graves first appeared in French in 1946.

Paris: Librairie Archeologique de Victor Didron.. 1857.First edition. 4to. 272x225mm. pp. 58 [2, advertisements]. Three leaves of engraved plates and a plan of the layout of the capitals of the Doge's Palace. Original brown paper wrappers, worn and chipped at extremities, tears to spine with some loss, staining to covers. Internally, there is foxing and spotting but overall it is in very good condition. Some pages unopened. This is the first published book by William Burges, one of the most inventive architects and designers of the nineteenth century.

Sil'nyi khrabryi bogatyr' [Il'ia Muromets. Il'ia Muromets - strong and brave bogatyr]  Moscow: V.A. Vasil'yev. c1887.A handcoloured Lubok lithograph, printed on paper, mounted on white card, in a gold painted wooden frame. This print showing Ilya Muromets killing Solovei-Razboinik (Nightingale the Robber) who lived in the forests of Bryansk where he lured travellers to their death. In Russian legend, Ilya Muromets is a Bogatyr, that group of heroic warrior knights whose principal duty was to protect Russia against foreign invasion.

Cape Town: The Gallery Press. 1982. First trade edition. Signed by David Goldblatt. Oblong quarto. 285x292mm. Unpaginated. Seventy-one black and white photographs. Two page introduction by Goldblatt at the beginning of the book and at the end is the four page Declaration of Group Areas at Boksburg designating certain areas in the Boksburg district to be reserved "for occupation and ownership by members of the White group". Original black cloth boards lettered in white. Black dustjacket letter in white, protected by a transparent plastic wrapper.

London: Ward & Downey. 1887. First edition. 250x140mm. pp. [7],387,[3]. Publisher's original blue cloth with black illustration and chain-link border design, lettered in gold on front board and spine. Rubbed and bumped at corners and spine. One or two spots of soiling on back board. Internally lightly foxed over first 6 pages but otherwise very good. Overall a very nice copy of an important historical and sociological text.

n.p.. 1875. A manuscript index to a vast, unfinished occult encyclopaedia A manuscript notebook dated 1875 setting out a detailed index to Hezekiah Venman's extensive "Notes" on the Occult. 322x130mm. 77 pages of manuscript bound in vellum and with the title written by hand on the front cover. Somewhat soiled and marked and rubbed at the corners but this was clearly much used by Venman. Internally very clean and clear, written in a large, legible hand. An attractive book and an interesting insight into Venman's working methods and how he planned to organise his monumental study of the occult.

Paris: Ch. Massin et Cie.. n.d. [c. 1930].First edition. 295x230mm. pp. xxii, 80 colour plates on recto only. Introductory essay in French by A. Feulner. Dark green cloth, black labels with gilt lines and titling to upper cover and spine. Illustrated dust-jacket, with some very minor marking but overall in very good condition. Slipcase, cream label with black lettering, some slight marking and scuffing on the back but otherwise very good. Internally near fine with the colour plates in particularly fresh and good condition.

London: Basic English Publishing. n.d..Second issue published by Basic English Publishing and with the original price of 2/6 overstamped with 3/6. Number 83 in the Psyche Miniatures General Series. 150x100mm. pp. 117, [2]. With the folding table of "Basic English" bound before the title page. Original red cloth backed boards. Printed paper label to spine. Slight scuffing to spine and some marking and soiling to covers. Browning to half title but otherwise in excellent condition throughout. A very good copy of the undated reissue published by C.K.Ogden's Basic English Publishing.

London: T. Dolby. 1821.First edition. 225x145mm. pp. viii, 7 [1bl], 8, 271, [3]. Frontispiece portrait and five further etched portrait plates. Uncut in the original boards. Tan morocco spine. Rubbing and wear to spine, edges and corners with some loss to head and foot of spine. Upper joint is split but holding. Leaf 2L has a closed tear without loss. Although a little delicate, it is in very good condition overall and is a rare book institutionally, Library Hub recording only six copies in the UK and comparatively scarce commercially.

Pasadena: Twelvetrees Press. 1988.Schles's own inscribed copy. First edition. Limited to 2000 copies. Unpaginated. 233x176mm. Midnight blue cloth, blind stamped to upper cover and spine. Dust jacket is a photocopy as explained in the inscription by Ken Schles on the title page. The inscription reads: "For years I held this copy and showed it until the dust jacket disintegrated - I'm sorry - I had to put this xerox copy on the cover but it's a good book, no? This [the photograph on the title page] is in my apartment on Mott many years ago. LA 2009".

London: Art Yard Limited. 2019.Signed limited, lettered Edition (one of twenty six copies) with a set of four giclée prints. 280x220mm. pp. 344. Illustrated throughout with 306 photographs. Printed on 150gsm Garda Matt Ultra FSC (Italian paper stock). Pale blue cloth hardback with metal foiling and laminate print to both covers, lettered in gilt to spine. Lower cover has a poem from Sun Ra printed in gilt. With publisher's belly band. Housed in a printed cardboard box. Unopened, new and in immaculate condition. The giclée prints, measuring 270x210mm are titled "A Certain Darkness Is Needed To See The Stars".

n.p. 1910.In two parts. 265x185mm. 8 pages of text in Japanese, 162 pages each with 20 designs in black and white. These are a mixture of symbols, nature motifs, geometric and mathematical designs. Part two has a pink title page dated 1910. 26 pages each with 13 small designs ranging from letters and geometric designs to nature patterns. Bound in cream cloth.

ZosoSurrey Genesis Publications and Jimmy Page. 2014. A visual documentary of a British rock legend's contribution to music Presentation copy. 315x258mm. pp. 12-512. Publisher's original black and white cloth printed with photographs on front and back and with gilt lettering on both covers and spine. Minor wear to spine and lower corners. Internally very good; overall in very good condition. Inscription on half-title reads "To Michael and Shakira 14th Feb '20 Jimmy N.Y.C. 2019" - these being British actor Michael and Guyanese actor and model Shakira Caine. Jimmy Page's photo autobiography is a memoir told in images.

London: T. and W. Boone. 1845.Inscribed by the author. Volume one only. First edition. 8vo. 220x140mm. pp. xviii, [2], 448, [4 adverts]. Engraved frontispiece and ten further engraved plates. Original green cloth decorated in blind and spine lettered and illustrated in gilt. Corners bumped, some stains and marks to covers, fading to spine and bumping and small tears to head and foot of spine. Internally very good but with some foxing, heavy in places, especially to the plates. Front free endpaper is inscribed "Lady Thomas with the author's compliments".

London: George Routledge & Sons. 1941.1st ed, 4to. (310 by 250mm)  pp. 8, 48 B&W plates on semi-glossy stock. Very good although with some spotting to endpapers. In oatmeal buckram with chocolate brown-stamped titles and artist's signature to the upper board and spine. In a very good original photographic dust jacket in plastic wraps with light chipping to extremeties and light overall toning.

London: Secker & Warburg. 1972.Wondering what the hell's going on. First UK edition. 197x125mm. pp. 218. Publisher's blue cloth with slight damage to spine. Original illustrated pop art dustjacket designed by Paul May in the manner of Roy Lichtenstein. Some slight rubbing to the extremities of the jacket, marking to the lower cover and creasing to the spine. Internally in excellent condition throughout. A rare book and an even rarer dustjacket. Crews learnt karate in order to write this book - a typically immersive act. But the book is only partly about karate.

Leipzig: Ernst Oldenburg. 1931.Special issue 12 of Alfred Koch's leading naturist magazine Körperbildung-Nacktkultur. 221x142mm. pp. 54, [10]. 24pp with 43 black and white photographs. In original paper covers illustrated with a naked couple dancing on the beach. Scuffing to four of the images with a little loss but otherwise a nice copy of a rare volume. Adolf Koch was one of the leading proponents of the Freikörperkultur and developed his own method of nude gymnastics.

n.p. n.p.. 1914.A diary kept by Oberjäger W. Werkberth a Corporal in the 4th Company Garde-Jäger-Bataillon covering the period 2nd August to 9th September 1914. Handwritten in pencil in a small notebook bound in half black linen with paper covered boards. There are sixty-eight numbered leaves with Weckberth's diary entries on both sides. The first leaf (unnumbered) has the title and year with, on the verso, a list of dates and places beginning with "15.8.14 Dinant" and ending with "8.9.14. Bois Tronces. Gefangen...1.30 nachm", indicating his being taken prisoner at 1.30 in the afternoon.

Paris and Nancy: Berger-Levrault & Libraires-Éditeurs. 1915.First (and apparently only) edition. 8vo. 185x118mm. pp. xii, 207 [1bl]. In original printed grey wrappers and housed in a marbled paper covered slipcase. Most of the gatherings are unopened although there is a tear to the final leaf where is has been opened. Small chip to foot of the spine and a crease to bottom edge of lower cover. Spine somewhat browned but overall a very good copy of a rare book, seemingly untraceable in commerce.