Products

Malmaison n.p.. 1813.Letter signed "Josephine", addressed to the "Directeur Général des Postes," Malmaison, 12 February 1813.Text in French. One page, 226 x 185mm (mild creases). Seventy-seven words.In a nice example of patronage Josephine uses this letter to the Directeur Général des Postes to recommend a young man called Gaulthier for a job within the Post service.

London: London: Printed for J. Dodsley.. 1774.Two volumes. First edition, second printing ("qui auroit" correctly printed on p55 of volume 1). 4to. 295x235mm. pp. Vol.1: [4], vii [1], 568; Vol.2: [4], 606,[2]. Contemporary calf: volume 1 joint with upper cover recently repaired, wear to joint with lower cover. Some rubbing and bumping to extremities of both volumes and slight scuffing to boards. Chipping to head and foot of spine of volume 2. Spine has five raised bands, contrasting morocco labels, lettered in gilt. The text block of both volumes is very good, in clean, crisp condition.

London: Printed by W. and J. Stratford. 1790.First edition. 8vo. 200x130mm. pp. [4], 44. Plus three leaves of waxed blue card on which were mounted samples of tin foil from Banca (an island off Sumatra) and Cornwall. These samples have since oxidised to dust, leaving residues. Contemporary tree calf, rebacked to style, original metal clasps, marbled endpapers. Contemporary book label of George Croker Fox, a shipping agent and merchant from Falmouth whose father (of the same name) founded the family firm of G.C.Fox.

Göttingen: Steidl. 2004.First edition. 300x295mm. pp.256. Original grey paper covered boards, title stamped in black to spine. Illustrated dust jacket. Very slight bumping to the bottom corners. Otherwise, near fine; an excellent copy of a beautifully produced book. pp7-17: essays by Eugen Blume ("Conversation on the Beach too long") and Manfred Leve ("Photographing Block Beuys"), text in German and English. pp20-256, black and white photographs of Beuys's work.There are two short collections of photographs from exhibitions in Düsseldorf and Mönchengladbach which form part of the "Ur-history" of the Block Beuys installation.

Mallorca: En la Oficina de la Viuda Frau. 1753.First vernacular edition. 4to. 195x140mm. pp.[viii], [2] plates, 252. Folding table of contents and folding woodcut illustration preceding A1, woodcut vignettes to text. Title-page trimmed and extended at lower margin (probably to erase inscription), a couple of pages lightly browned. Contemporary Spanish limp vellum, title in ink to spine, lacking ties. Some internal cracking at the hinges and the usual warping. An excellent copy of a very rare book. First vernacular edition.

London: Chapman & Hall. 1936.1st ed, 4to. (310x250mm). pp 48, illustrated with 48 black and white plates on semi-glossy stock. Near fine in pale grey flecked buckram with blue-stamped titles and artist's signature.

London: Chatto & Windus. 1883.First edition. 8vo. (185x120mm). pp. xxv, 562, 32 [advertisements, March 1883]. First edition published in the UK a few days before the first US edition. With over 300 illustrations. Original publisher's red cloth with illustration stamped in black to upper cover and spine and with the title in gilt. Publishers' device stamped in black and red on the lower cover. Wear to the head and foot of the spine and to the corners. Attractive olive-green leaf pattern endpapers. Slight shelfwear to the edges. Contents clean and tight with only minor foxing or marking.

Wien: Verlag von Julius Springer. 1935 [1934].First edition. 8vo, 218x143mm. pp. vi, 248, [2]. A very good copy in the original wrappers, small chips to head and foot of spine, otherwise in excellent condition. Internally near fine, some unopened pages at the end of the book, two paragraphs (on pp37 and 67) have been marked in the margin with a red biro. Housed in a quarter morocco black solander box lettered in gilt. Loosely inserted is a slip signed by Karl Popper. This copy came from Popper's secretary.

Wien: Verlag von Julius Springer. 1935 [1934].First edition. 8vo, 218x143mm. pp. vi, 248, [2]. In the original wrappers, small tear to foot of spine and to joint with lower cover and a crease to the bottom right corner of the upper cover and the first six leaves but otherwise in very good condition throughout. Popper's Logik der Forschung (translated in 1959 as The Logic of Scientific Discovery) was published in 1934 (although given a 1935 imprint) and is regarded as one of the twentieth-century's most important contributions to scientific and philosophical method.

A Register of two thousand names. A record written in black and white, but more in white than black. With a European Roll. "It is nothing, if it is not truth".Lovedale: South Africa. Printed at the Mission Press.. 1887.First edition. 210x135mm. pp. xxiii [ibl], [5]- 642. Register 3L is missing 3M has been printed in duplicate - clearly a printer's error. Light brown cloth, lettered in black. Edges and corner worn, spine and boards marked. Head and foot of spine bumped and joints rubbed.

Philadephia: Printed and Sold by James Humphreys. 1802.First American edition printed from the London Second edition. Two volumes in one. 12mo. in 6s. 160x100mm. pp. xxii, 1-5, [6], [13]-159 [1bl]; 170. Lacking final leaf of notes in volume two. Later half calf, marbled paper covered boards, spine with four raised bands, compartments decorated in gilt, maroon morocco label lettered in gilt. Top edge gilt, marbled endpapers. Front pastedown with book label of Christopher Clark Geest. At the head of the first poem in volume one is inscribed "Maria Breaton".

London: Victor Gollancz Ltd.. 1932.Inscribed by the author to Dennis Wheatley.Inscribed to Dennis Wheatley and with Wheatley's bookplate. First edition. 195x120mm. pp. 607 [1bl]. Black cloth, lettered in gilt to spine. Original dust jacket, lettered in black and with removable red band indicating "The Book Society's "first" recommendation for January". Some minor chipping to head of spine of dust jacket and some creasing and a closed tear to top edge and spine a little faded. Internally very good with slight foxing to fore-edges. Overall an excellent copy in the rare dust-jacket and the even rarer band.

[Prague] Galerie Dila Usti nad Labem. 1972.First edition. Exhibition catalogue for a show of sculptures by Stanislav Hanzik in Prague in 1972. 230x165mm. pp. 28. 14 pp of text and 16 (unpaginated) pp of photographs and 1 page of list of sculptures at the exhibition, final page blank. Text in Czech. Original brown card wrappers with Hanzik's signature printed in red on upper cover, all in excellent condition. Sudek began life as a bookbinder but after losing an arm in WWI, became a photographer and was the great 20th century chronicler of Prague.

London: Methuen & Co Ltd.. 1962.First UK edition, published the same year as the first printing in America. 200x130mm. pp. [6], 250. Blue cloth, illustrated and lettered on spine. Original illustrated dustjacket. Slight creasing to edges of jacket and light soiling to lower cover but overall very good and internally fine.

Verona: Officina Bodoni.. 1968.First Bodoni edition, one of ten copies for presentation, this copy with the printed presentation: "This copy has been printed for David Earl of Crawford", and with an autograph card from the printed Giovanni Mardersteig "for David from GM. Verona, September 1969" and a pencillled presentation note to the front free endpaper. A further 180 numbered copies were also issued. Folio, 310x225mm. pp. xxxviii, 155 leaves of upright Roman and Italic typefaces and 28 leaves of Greek; xli-iii index, colophon.

Birmngham: W.H.Haseler Ltd. 1905.Twenty seven leaves illustrated (on the recto only) with designs for gold and silver jewellery, rose bowls, cigarette cases, toilet ware (i.e. hairbrushes, scent bottles and the like), pewter clocks and more. Each leaf is protected by a tissue sheet on which the name and price are printed so that, when the tissue lies on the illustrated leaf, the text details match up with the picture. Bound in pale blue/grey card wrappers tied at the left edge with blue cord.

n.p. n.d [mid-late 18th century].An album of hand-drawn maps with handwritten notes in an attractive italic. 230x180mm. Unpaginated, 137 pages of maps (84 maps) and text: pp. 89, 24bl, 48 (including 4 blank pages), 14bl. The maps are beautifully drawn in pen and ink with borders in coloured ink and watercolour. Tan half calf, rebacked and corners repaired, eighteenth-century marbled paper covered boards. Raised bands, burgundy morocco label lettered in gilt "Maps J:R". Some scuffing and staining to the boards. A repair tear to the first page of text but otherwise in very good condition throughout.

Berlin: Oswald Arnold. 1941.A portfolio of photographs from the Atelier Manasse in Vienna run by Aderjan and Olga von Wlassics. They were the leading photographers of nude and mildly erotic studies in the 1920s and 1930s. Bound in a beige card cover with blue tasselled string. Some slight creasing and scuffing to the cover. The contents are a two page introduction on the beauty of the female body and its influence on artists. Loosely inserted is a facsimile handwritten letter from Aderjan Wlassics.

London: Henry Roberts. 1742.Engraved, hand-coloured portrait of Margaret Finch after a 1739 drawing by John Straeho. Print measures 270x215mm. Mounted and framed in a Victorian decorated frame (380x313mm). The portrait shows Margaret Finch sitting on the ground, her legs drawn up to her chest and her chin resting on her knees. She is accompanied by her dogs and is smoking two pipes. Beneath the image is printed a brief biography of "this remarkable person". Margaret Finch was born at Sutton, south London in about 1640 and spent a life “Traveling ye Kingdom, as Queen of ye Gypsie Tribe”.

Film poster for Maury Dexter's 1968 film "Mary Jane" which sets out to expose the "shocking facts behind the marijuana controversy". Two moody boys look into each other's eyes while one rests his hand on the other's shoulder. A girl in round dark glasses dances in that "groovy" late sixties style. Perhaps her name is Mary Jane.

Paris: Chez J-J Blaise, Chez Pichard. 1813.8vo. pp. 203, [1bl]. Engraved frontispiece portrait of La Rochefoucauld by Pierre-Philippe Choffard after Jean Petitot. Folding facsimile letter by La Rochefoucauld. Beautifully bound in contemporary green straight-grained Morocco, elaborately decorated in gilt and blind. Upper and lower covers with a triple fillet border framing an acanthas leaf motif inside which is a panel in blind with a leaf motif in gilt in the corners of the inner panel. Spine with four double raised bands, compartments elaborately decorated in gilt, second compartment lettered in gilt.

London: Richard Bentley. 1844.First edition. 8vo. 200x120mm. pp. [4], 330. Bound by Zaehnsdorf in red half morocco, marbled paper covered boards. Spine with five raised bands, compartments lavishly decorated in gilt, second compartment lettered in gilt. Top edge gilt. Marbled endpapers. Some rubbing and wear to edges and corners and scratches to the boards. Internally very good but with some foxing and toning. Frontispiece portrait of Munden has part of the margin missing but this does not affect the image.

London: Printed for and sold by the Author.. n.d. [1791].First edition. 8vo. 220x140mm. pp.Xxxii, 343. Uncut in the original marbled paper covered boards. Protected by a brown buckram wrapper with a red morocco label lettered in gilt and housed in a brown slipcase. A lovely copy – as authentic a relic of the eighteenth-century book trade as one could wish to find - of the epistolary memoirs of the first recognisably modern bookseller.

Lovedale, South Africa: Lovedale Press.. [1930].The first novel in English by a black South African. In the rare dust jacket.First edition. 8vo. 185x120mm. pp. [12], 225 [1bl]. Green cloth, lettered in gilt to upper cover and spine. Original illustrated dustjacked, chipped and a little torn along top and bottom edges but overall very good and rare in any condition. Internally there is some foxing.