Counter-culture

with an introduction by Boris Vian.Paris: The Vendôme Press. 1948.A fusion of prime US pulp and French sado-eroticism.First edition in English. 193x140mm. pp.201 [1]. Original wrappers. Slight creasing to upper cover and spine, a small tear and some marking and soiling to lower cover and a short tear at foot of spine at joint with lower cover. Some ink underlining in a few places. Internally very good. A nice copy of a rare and scandalous book. I shall spit on your graves first appeared in French in 1946.

London: Methuen & Co Ltd.. 1962.First UK edition, published the same year as the first printing in America. 200x130mm. pp. [6], 250. Blue cloth, illustrated and lettered on spine. Original illustrated dustjacket. Slight creasing to edges of jacket and light soiling to lower cover but overall very good and internally fine.

Sydney: Ure Smith. 1960.First Australian edition, the novel having been banned there for 28 years following its first publication in England in 1930. 8vo. 196x125mm. pp. 318. Red cloth, spine lettered in gilt. Original dustjacket. Slight creasing and chipping to edges of jacket and a mark to the foot of the spine but otherwise in excellent condition. Internally very good with a little toning to the edges. This novel of small town, backwoods life in the Australian state of Victoria set in the 1890s portrays a society constrained by snobbery and tightly controlled social norms.

Translated from the French by Stuart Gilbert. Introduction by Cyril Connolly.London: Hamish Hamilton. 1946.First edition in English. 8vo. 185x120mm. pp. [iv], 3-103 [1]. Grey cloth, spine lettered in gilt. Original dustjacket illustrated by Edward Bawden. Bumping to head and foot of spine. Repair to top and bottom edges of dustjacket and two closed tears to top edge and slight chipping to bottom edge of rear of dustjacket but otherwise in very good condition and internally excellent. It is not common in a good jacket. Camus's concise, dense, absurdist novel of alienation first appeared in 1942.

New York and London: The Olympia Press. [1971].Inscribed and with an introduction by William Burroughs. "I'd rather read Winnie the Pooh".One of only six uncorrected proof copies signed by William Burroughs. 213x175mm. Printed on recto only. ff. xv, 104. Brown wrappers, printed in black. In very good condition throughout. Half title has an inscription "I'd rather read Winnie the Pooh. Bradbury Robinson" which has then been crossed out in the manner of a Masson automatic drawing. Both the inscription and the scrawl are by William Burroughs who has signed the dedication leaf.

London: Herbert Jenkins. 1924. First edition. 185x120mm. pp. 192. Illustrated with amusing line drawings. Green cloth blocked in black to upper cover and spine. In the scarce original illustrated dustjacket. Some rubbing to head and foot of spine and fading to edges of upper cover. Dustjacket is chipped and a little torn in places along the top and bottom edge and upper cover has a price label reading "Offered at 1/-". Internally very good with some slight toning.

London: Allan Wingate. 1956."the father of black writing". One of the central works of post-colonial literature First edition. 8vo. 184x120mm. pp. [7], 8-171 [1bl]. Original green cloth with original strikingly illustrated dustjacket. Head and top corners of dustjacket a little chipped and some wear to the jacket. Internally it is a little toned to the edges but overall an excellent copy of this groundbreaking and important book.

Santa Barbara: Black Sparrow Press. 1982.SIGNED WITH AN ORIGINAL PAINTINGLimited edition number of 67/100, signed by Bukowski and with an original oil painting by Bukowski on a blank preliminary. 228x150mm. pp. 283 [5]. Half blue cloth, illustrated paper covered boards, protected by original acetate wrapper. In very good condition throughout. The painting is of a human head in profile. Owing something to cubism (in its structure), Mondrian (in its colour) and Gaudier-Brzeska (in its monumentality), this is a striking work in thickly applied oils. Ham on Rye is widely regarded as among Bukowski's finest works.